Being Played

World Chess Hall of Fame
January 24 – February 28, 2020

All work by Michael Drummond, 2019,
unless otherwise noted.

Being Played balances and explores three overarching themes — chess in strategy and form, the climate change crisis, and the concept of “predatory delay” — through the lenses of fashion and Stanley Kubrick’s 2001: A Space Odyssey. To represent the challenges humanity faces, Drummond uses a game from the film in which a human player, Dr. Frank Poole, competes against an unfairly advantaged opponent, the supercomputer HAL 9000.

“Predatory delay,” a term coined by futurist Alex Steffen, describes the blocking or slowing of needed change in order to profit from unsustainable, unjust systems in the meantime. In Drummond’s game, predatory delay is one opponent; we, the consumers and humans of Earth, are the other. Humanity’s pieces, rendered in gold, black, silver, and white, occupy the center of the gallery. Red signifies HAL 9000 and surrounds them on the perimeter — a state of emergency, and one of the earliest colors to appear on the chessboard.

The designs are named after the algebraic notation for the moves of a historical game played between A. Roesch and Willi Schlage in Hamburg, Germany, in 1910. As the game unfolds, a tension develops: our underdog, representing humanity, is conflicted within itself. In the film, Poole resigned. Here the narrative is ongoing. Our planet always heals itself, but are we accelerating an inevitable event? Will greed and fear lead the charge, or could beauty, honesty, justice, and action elevate us to the next rung of human evolution?

e4, laser-etched leather shoes on a charred cedar trunk

e4

Laser-etched leather, shou sugi ban cedar tree trunk, cotton cord
Available upon request

Humanity’s first move. These shoes are decorated using shou sugi ban, a 16th-century Japanese technique of burning, brushing, and oiling cedar. The burning and laser represent fire, one of humanity’s earliest tools; the laser exposed carbon, an essential building block of all life. The male and female faces evoke Adam and Eve. They are men’s shoes, an allusion to Eve being created from Adam’s rib.

...e5, still from the sound installation video on directional speakers

…e5

Michael Drummond & Attilio D’Agostino
NASA, Symphonic Sounds of Space
Sound on directional speakers with video
Available upon request

Nf3, a dress made from overlapping deadstock bra underwire

Nf3

Deadstock underwire, vinyl, polyester cord, steel grommets
Available upon request

This dramatic dress is created from deadstock bra underwire — materials overproduced by manufacturers that might otherwise go unused. The underwire overlaps to create an effect reminiscent of a knight’s armor.

Bb5, a three-part look with hat and deadstock couture garments

Bb5

(1) Hat: wire, nylon, tape, deadstock elastic, buckram
(2) Deadstock couture fabric, sequins, polyester, found plastic findings
(3) Deadstock couture fabric, sequins, polyester, found plastic and metal findings, deadstock elastic, polyester corset boning
Available upon request

...a6, photographic print on acrylic

…a6

Attilio D’Agostino
Photographic print on acrylic
Available upon request

Ba4, full look: laser-cut 3M wrap skirt, headpiece, and apron blouse
Ba4 detail Ba4 detail of apron blouse in knit plastic, wool, silk, synthetic hair, and lurex
Ba4, laser-cut 3M wrap skirt of laughing and crying faces, with mixed-media headpiece and apron blouse

Ba4

(1) Deadstock sequins, rubber, silk organza, cotton, lurex, elastic, synthetic hair
(2) Polyester, deadstock elastic, laser-etched 3M reflective fabric
Available upon request

...Nf6, plexiglass case displaying jewelry cast from fossils
...Nf6, close-up of cast-fossil jewelry in resin with precious metals

…Nf6

Silver, gold, nickel, aluminum, cast fossils in resin, oil paint
Available upon request

Cast from fossils, Nf6 blends ancient natural elements with the manmade. “In my fantasies a world was created where fossils and meteorites became fossilized once again, but this time in our discarded artifacts. Meteorites are forged into jewelry, woolly mammoth’s fur is caught in a resin locket.”

Qe2, three-part look
Qe2 detail
Qe2 detail Qe2 detail

Qe2

Three parts (1, 2, 3)
Available upon request

Bb3, hair hat, sweater, and skirt
Bb3 detail

Bb3

(1) Hair hat
(2) Sweater
(3) Skirt
Available upon request

...Be7, woolly mammoth hair necklace
...Be7 detail

…Be7

Woolly mammoth hair, resin, precious metals
Available upon request

A necklace holding the fur of a woolly mammoth, an extinct creature returned as ornament. Ancient life caught in resin and worn against the body.

c3 (1), a suspended black corseted apron with a sublimation print of the White House

c3 (1)

2019
Polyester sublimation print, silk organza, polyester corset boning
11 × 32 × 8 in. · Adjustable 2–12
Available upon request

Made after the 2016 election, c3 (1) takes the form of a corseted apron in the tradition of the French maid. It draws on two historical apron types once found in antique stores: the sturdy protective garment of labor, and the frilly decorative one. Here the White House is sublimated onto the body of domestic work, the seat of power suspended from a wire cage where a body should be.

...0-0, photographic print

…0-0

Attilio D’Agostino
Photographic print
Available upon request

0-0, three-part look including salt skirt
0-0 detail 0-0 detail

0-0

(1), (2) top, (3) salt skirt
Available upon request